The Secret of the Old Postcard Three days before an age-yellowed envelope arrived in her life, Natalie Sutherland stood on the balcony of her London studio flat. The night was thick, black, starless. Down below, the lights of Regent Street burned. Inside, behind the glass door, Mark was discussing deal details with someone on speakerphone. Natalie pressed her palm against the cold windowpane. She was exhausted—not from work (she handled that brilliantly), but from the very air she’d breathed these last few years. The predictable rhythm where even a marriage proposal had become a logical bullet point in a five-year plan. A lump of either longing or mute fury lodged in her throat. Natalie pulled out her phone, opened WhatsApp, and started a message to an old friend she hadn’t seen in ages. The friend had just given birth to her second child and now lived in a whirlwind of little ones and chaos. The message was short, urgent, nearly nonsensical from the outside: “You know, sometimes I think I’ve forgotten what real rain smells like. Not this city’s chemical fog, but proper rain that hits the earth and smells of dust and hope. I want some kind of miracle. Something simple, made of paper. Something I could hold in my hands.” She never meant to send it. It was a soul’s cry, hurled into the digital void—a small ritual for self-soothing. She deleted it before sending; her friend would have thought she was having a crisis or that she’d drunk too much. Within a minute, she was back in the lounge with Mark, who was finishing up his call. “Are you alright?” her fiancé asked, throwing her a quick glance. “You look tired.” “Yeah, I’m fine,” Natalie smiled. “Just getting some air. I just want… you know, something fresh.” “In December?” Mark chuckled. “Try the seaside in May—if this quarter ends well, we might get away then.” He turned back to his tablet. Natalie grabbed her phone from the coffee table. There was just one new alert: a client had confirmed a meeting. No miracles. With a sigh, she went to get ready for bed, mentally mapping tomorrow’s to-do list. *** Three days later, sifting through the post, her finger snared the corner of an unfamiliar envelope. It fluttered to the hardwood floor: thick, rough, the colour of old parchment. No stamps, just an ink stamp of a pine branch and an address. Inside was a New Year’s card—not some glossy print job, but warm, textured card stock, embossed, with gold flecks that fell onto her fingers. “May your boldest dreams come true this year…” read the handwriting, which made something skip under Natalie’s ribs. The handwriting was familiar. It was Sasha’s. The same boy from that little seaside village where she’d spent every summer with her nan. Her childhood sweetheart: the boy who’d built dens with her by the river, set off fireworks in August, and exchanged letters between terms. Then Nan had sold the cottage, she and Sasha went off to different universities, and they lost touch. The address on the envelope was hers—her current one. But the card was dated 1999. How was that possible? A postal glitch? Or had the universe heard her silent cry for a simple miracle, something you could actually hold? Natalie cancelled two calls and a meeting, told Mark she was checking a venue (he just nodded, nose buried in his tablet), and got in her Mini. Three hours’ drive to the seaside village. She had to find the sender. Google told her the place had a little print shop. *** Snowflake Printworks turned out nothing like she’d pictured—not a kitschy gift shop, but a quiet haven. The door opened with a low groan and let her into a large room where the air was thick, sweet—almost fruity. The scent of wood, metal, something spicy-bitter—old paint, maybe varnish. And unmistakably: fire from a wood stove. Its heat lapped at Natalie’s cold cheeks. The owner stood with his back to her, bent over a chunky antique press. The clink of tools was the only sound. He didn’t turn at the jingle of the door. Natalie coughed. He straightened, slowly, like unsticking each vertebra, and turned around. Stocky, check shirt sleeves rolled, regular-looking but very calm eyes. Not curious or eager—just watching, waiting. “Is this your card?” Natalie placed it on the counter. Alex took his time. He wiped his palms on his jeans—leaving blue streaks—picked it up and held it to the light like a coin. “One of ours,” he confirmed. “Pine stamp. ’99 batch. Where’d you get it?” “It came to my flat. In London. Probably a mix-up at the post office,” Natalie’s voice was clipped and businesslike, though she was crumbling inside. “I need to find the sender. I know this handwriting.” His gaze grew more direct. It skimmed her perfect haircut, her chic but out-of-place beige coat, her face where even perfect makeup couldn’t mask the cracks. “Why do you need the sender?” Alex asked. “Twenty-five years’ a long time. People are born, die, forget.” “I’m not dead,” she heard herself say with unexpected steel. “And I haven’t forgotten.” He watched her, long and thoughtful, as if reading not her words but the shadows behind them. Then he gestured to the kettle in the corner. “You’re freezing. Tea’ll sort you out. Even a Londoner’s brain.” He poured into chipped mugs while she sat in the thawing quiet. And so it began. *** Three days in the village felt like a homecoming for Natalie. From the city’s roar to the stillness of snow sliding off a roof. From screen glare to the warm glow of the stove. Alex asked no probing questions; he just invited her into his world—one with creaking floorboards and the scent of wood fire, jam, and old books. He showed her his father’s printing blocks—copper plates with reindeer and snowflakes—explained how to mix glitter so it sticks, how to emboss so it lasts. He was like his home: sturdy, a little worn, filled with quiet treasures. He shared how his dad, smitten at first sight with his mum, once sent her a postcard to an old address that got lost on the way. “Love into the void,” he mused by the fire. “Romantic—and hopeless.” “Do you believe in hopeless things?” asked Natalie. “He found her. They spent decades together. Where there’s love, anything’s possible. Otherwise—I only believe in what I can hold. This press. This house. My work. Everything else is smoke.” There was no bitterness in his voice—just a craftsman’s acceptance of his material. Natalie had always battled her material, bent it to her will. Here, the fight was useless; snow fell when it would, and Graf, Alex’s dog, slept wherever he liked. A strange kinship grew: two lonely souls, each finding in the other what they’d lacked—she, calm and authenticity; he, boldness and spark. Alex saw through the city gloss to the girl still afraid of the dark, longing for a little wonder. Natalie saw not a has-been, but a custodian: of time, skill, and peace. Her background anxiety ebbed away. When Mark rang, Natalie was at the window watching Alex split logs with practised rhythm. “Where are you?” Mark’s voice was cold, flat. “Pick up a tree, will you? Our fake one’s collapsed. Bit ironic, isn’t it?” Natalie looked at the real spruce in the corner, decked in old glass baubles. “Yeah,” she replied quietly. “Very.” And she hung up. *** The truth came on the third day, New Year’s Eve. Alex handed her an old yellowed sketch from his father’s album—the original card’s wording. “I found this,” he said, voice oddly dull. “It wasn’t your Sasha. It was Dad. Wrote it to Mum. Never reached her. Funny how history repeats.” The magic had vanished like spilled glitter—no mystical connection, only fate’s irony. Natalie’s escape into the past was nothing but a beautiful delusion. “I should go,” she whispered, eyes averted. “I have… everything. Wedding. Deals.” Alex nodded. He didn’t try to hold her. Just stood in his world of paper and memory—a man who could keep warmth in an envelope but powerless against the cold from beyond. “I get it. I’m not a magician. Just a printer. I make things you can touch, not castles in the air. Sometimes the past doesn’t send us ghosts, just a mirror. To show who we could have been.” He turned back to the press, giving her the space to leave. Natalie took her bag, keys, phone—the only link to the reality waiting for her: business, KPIs, a muted safe marriage to a man who valued only money. She reached for the door but her eyes caught the card on the counter—and a new one, just printed, with the same pine stamp but new words: “May you have the courage.” Then she understood: the miracle wasn’t in a card from the past. The miracle was this moment, this choice. She couldn’t choose his world and he couldn’t enter hers—but she wasn’t going back to Mark, either. Natalie stepped into the cold, star-filled night—without looking back. *** A year passed. Another December came. Natalie never returned to the events industry, ended things with Mark, and started a boutique agency specializing in soulful, intimate events with real, paper invitations—from a little workshop in the village by the sea. Life didn’t slow down, but it made sense. She learned to value silence. Snowflake Printworks now hosts creative weekends. Alex takes online orders—filters them himself, though. His cards are a little better known now, make a solid living, but the process is the same as ever. They don’t write every day—only for business. But the other day, Natalie got a card in the post. This one had a flying bird stamp. It just said: “Thank you for your courage.”

The Secret of the Old Postcard

Three days before the faded envelope arrived and turned her life upside down, Emma Thompson stood on the narrow balcony of her London flat. The night was dense, black, starlessthe city below mere glimmers snaking down Oxford Street. Behind the glass door, James, her fiancé, was deep in conversation, discussing the finer points of a deal through the speakerphone.

Emma pressed her palm to the icy pane.

She was utterly exhausted. Not of workshe excelled there, always had. No, she was tired of the very air she breathed day in and day out. Of the relentless routine, where even Jamess marriage proposal had felt like just another sensible step in her five-year plan. Something ached in her throat, a knot of silent longing or perhaps quiet fury. Emma drew out her mobile, opened her messages, and started typing to an old friend she hadnt seen in ages. Her friend now had two children, her life a scramble of caustic baby cries and spilled Weetabix.

Her message was short, a sigh in words, probably nonsensical to an outsider: Do you ever wonder if youve forgotten the real scent of rain? Not this city smog, but the rain that hammers into earth and smells of dust and hope. I want something magical. Something made of paper. Something you can actually hold.

She never meant to send it. Her hearts outcry, flung into the digital void, was a ritual, nothing more. She deleted the message without a second thought; her friend would worry, joke that she was cracking up or had drunk too much wine. Moments later, Emma walked back into the lounge where James was ending his call.

“Everything all right?” he asked, glancing at her. “You look tired.”

“Yes, all fine,” Emma replied with a smile. “Just needed some air. I want I dont know, something fresh.”

“In this weather?” James smirked. “Youll have to wait for the Cornish coast in Mayassuming the first quarters strong and I can sneak away.”

He sank back into his tablet. Emma picked up her mobile. Another emailclient confirmed for tomorrows meeting. No miracles, just business as usual. She sighed, heading to the bedroom, already building tomorrows to-do list in her mind.

***

Three days later, sifting through her post on an ordinary morning, Emmas finger snagged on the corner of an unfamiliar envelope. It tumbled onto the herringbone floor. The envelope was sturdy, roughened, the colour of old parchment. There was no stampjust a dark-inked pine branch and her address scrawled on the front. Inside was a Christmas card. Not a glossy, mass-produced relic, but something pressed from thick, ridged board, embossed with golden dust that drifted onto her fingers.

Let your bravest dreams come true this New Year Written in looping script that made her heart lurch.

The handwriting. It was unmistakable. This was from Toma boy from Fernwood Village. Years ago, each summer, shed stayed in that sleepy spot with her gran. There, shed known first lovelocal lad, endless days building shelters by the brook, letting off firecrackers in August, and writing letters to bridge the lonely months between holidays. Her gran had sold the house, and Emma and Tom had drifted into separate cities, separate lives.

But this card bore her current address, yet was dated 1999. How? A Royal Mail glitch? Or some twist of fate nudging her, answering the old, silent cry for a miracle to hold?

And just like that, Emma cancelled her two meetings for the day, told James she needed to check out a new event spacea quick nod from him, too absorbed in his screen to careand was out the door.

The drive to Fernwood was three hours. According to Google, the village now boasted a tiny, independent printers.

***

Snowflake Printworks was utterly nothing like Emma expected. Shed imagined a kitschy, crowded shop, scented with cheap candles and dust. Instead, stepping inside was like entering a hidden sanctuary of calm.

The doors creak gave way to a broad room; the air was already tinged with the woody scent of cedar, smoky varnish, and something sweet and earthyold ink, perhaps. Andunmistakablywoodsmoke. A warmth rippled out from the ancient stove, chasing the chill from her cheeks.

At the far bench, the owner stood hunched, back turned, delving into the guts of a monstrous, hulking press. The jangle of tools was the only sound. He ignored the bell overhead. Emma cleared her throat.

He straightened slowly, joints creaking. He turneda man of stocky build, plain flannel shirt rolled to his elbows, face unremarkable except for his patient, steady gaze. Nothing fawning or prying. Just waiting.

“Is this your card?” Emma set it on the counter.

He came over, unhurried, wiping inky palms on his trousers, blue smears left behind. He lifted the card, held it to the light like rare treasure.

“Yes, ours,” he said at last. “Pine branch stamp. Must be from 99. Where did you get it?”

“It came to my flat in London,” she replied, voice clipped and businesslike, though her insides quaked. “Post mustve made a mistake. I need to find out who sent it. The handwritingI know it.”

He regarded her more closely now, eyes flickering over her immaculate bob, costly but utterly out-of-place beige coat, the face whose fatigue and tension no flawless foundation could fully disguise.

“And why do you need the sender? Quarter of a century gone by. People are born, people diepeople forget.”

“But I havent died,” she blurted, her voice crisp, surprising herself. “And I havent forgotten.”

He gave her a long, searching lookas though he was reading not her words, but the spaces behind them. Then, with a shrug towards the kettle in the corner, he gestured.

“Cold today. Curl up with tea. Itll thaw your thoughts. Even Londoners.”

He didnt wait for a reply; the next moment, he was pouring out boiling water into mismatched mugs.

So began the unraveling.

***

Three days in Fernwood were Emmas return to herself. The roar and glare of London faded; now she listened to the soft fall of snow from the eaves, basked in the flickering glow of the fire. Alex, the printer, asked no questionsjust opened the door to his life. He lived alone in the house hed grown up in, the floorboards groaning like old friends. The rooms smelled of woodsmoke, preserves, and well-loved books.

He showed her his late fathers printing platescopper sheets etched with deer and snowflakesand explained the recipe for mixing glitter so it actually clung to paper. He was like the house itselfweathered but solid, stuffed with quiet treasures. He told her how his father, smitten instantly with his mother, sent her a card to her old addressdestined never to arrive.

“Love lost to the wind,” he said, gazing at the flames. “Poetic, but hopeless.”

“Do you believe in that?” Emma asked him. “In hopeless?”

“They found each other, eventually. Lived decades together. If loves there, anythings possible. Everything elseI only trust what I can hold. This press. This home. My craft. The rest is smoke.”

His words werent bitter. He spoke with the acceptance of a craftsman, humbly yielding to the grain of lifes timber. Emma, on the contrary, had always tried to master every inch of hersbending, refashioning, refusing to bend. Here, she sensed at last the futility of that. The snow fell without permission. And Max, Alexs loyal Labrador, slept wherever the mood took him.

A curious closeness grew between Emma and Alexa mutual recognition. He found in her the wild spark missing from his routine; she found in him a grounding calm. He saw not a London success story but the same girl who once feared the dark and still hungered for that lost magic. She saw not a man left behind, but a caretakerof tradition, of memory, of peace. Her inner tremorthe constant, gnawing anxietystilled around him, as the sea calms after a storm.

Then the phone rangJamess voice cutting through the quiet as Emma watched Alex out back, splitting logs with easy rhythm, each log cracking clean under his axe.

“Whereve you got to?” came Jamess voice, brisk and cool. “Pick up a tree on the way, would you? Ours brokevery fitting, eh?”

Emma looked over at the real, piney Christmas tree, decked in antique glass baubles.

“Yes,” she murmured. “Very fitting.”

And she hung up.

***

The truth emerged the day before New Years Eve. Alex handed her an old, yellowed sketch from his fathers portfoliothe very words from the postcard.

“I found this,” Alex said quietly, his voice curiously flat. “It wasnt your Tom who wrote it. My dad wrote itto my mum. Never reached her. Funny how life circles back round.”

The illusion collapsedlike golden dust shaken free. No strange mystical bond, just a mocking quirk of fate. Emma felt the ache in her chesta frozen knot. Shed chased the past, only to find a beautiful mistake.

“I have to go,” she whispered, unable to meet his eyes. “My whole life is back there. The wedding. Contracts.”

Alex nodded. He made no attempt to persuade her to stay. He just stood, surrounded by his universe of paper and memorya man who could keep envelopes warm, but couldnt shield against the frost from another world.

“I understand,” Alex said. “Im no wizard. Just a printer. I make things you can hold, not castles in the air. But sometimes sometimes the past sends us not a ghost, but a mirror. Shows us what we might have been.”

He turned back to his press, letting her leave.

Emma gathered her bag, her keys. Her hand brushed the smooth back of her phonethe lifeline tying her to the world outside, to conference calls and silent, utilitarian partnership with a man who equated life with profit alone.

She gripped the doorknobthen her gaze fell onto the cards lying on the counter. The old one, and a new one Alex must’ve just printed but not given her yet. This card bore the same pine stamp, but a new inscription: May you have enough courage.

Emma understood, at last. The miracle was not in the card from the past. The miracle was in this instant. In the moment of choice, of sudden, blinding clarity. She could never belong wholly to Alexs world; he could not enter hers. But she also knew she would not, could not, go back to James.

Emma stepped out into the sharp, starlit night, not looking back.

***

A year passed. December descended again.

Emma never returned to event management. She left James, opened a boutique agency specialising in thoughtful occasionssmall, intimate, built with soul, each invitation printed on paper from the Fernwood workshop. Her life was no less busy, but at last, it belonged to her. Shed learned to treasure the silence.

Snowflake Printworks now hosted creative retreats. Alex had learned to process online orders (thanks to Emmas coaching), but still chose his clients carefully. His greetings cards were a little more famous, a little more lucrativebut the way he made them never changed.

They didnt write every dayonly about work. But just last week, an envelope arrived for Emma. On the front, a figure of a soaring bird.

Inside, only two words: Thank you. And beneath, in Alexs careful script: For your courage.Emma pressed her fingertips to the wings, smilinghere was the flight she had longed for, not in escaping the past, nor reclaiming what was lost, but in daring to build anew. She set the card on her desk, beside a fresh stack of blank invitations awaiting their stories.

Outside, snow shimmered through the lamplight; inside, warmth pooled from her radiator, scented faintly of pine and ink, the old mingling with the now. The citys rumble was distant music, comforting instead of consuming. Her phone chimed: a photograph from Fernwooda dusting of frost, a mug beside Alexs press, Max curled like a comma on the welcome mat. She replied with just a heart. Some ties needed no words, no plan.

She turned back to her workspace, picked up her pen, and started writing a new cardno ghosts, no longing for what might have been. This years wish was simple and fierce: To possibility, and all its brave beginnings.

Outside, the hush after snow was completea promise pressed into the world, waiting.

Emma sealed her card and reached to light a candle. The flame flared steady, golden, in the stillnessthe kind of magic you could finally, absolutely hold.

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The Secret of the Old Postcard Three days before an age-yellowed envelope arrived in her life, Natalie Sutherland stood on the balcony of her London studio flat. The night was thick, black, starless. Down below, the lights of Regent Street burned. Inside, behind the glass door, Mark was discussing deal details with someone on speakerphone. Natalie pressed her palm against the cold windowpane. She was exhausted—not from work (she handled that brilliantly), but from the very air she’d breathed these last few years. The predictable rhythm where even a marriage proposal had become a logical bullet point in a five-year plan. A lump of either longing or mute fury lodged in her throat. Natalie pulled out her phone, opened WhatsApp, and started a message to an old friend she hadn’t seen in ages. The friend had just given birth to her second child and now lived in a whirlwind of little ones and chaos. The message was short, urgent, nearly nonsensical from the outside: “You know, sometimes I think I’ve forgotten what real rain smells like. Not this city’s chemical fog, but proper rain that hits the earth and smells of dust and hope. I want some kind of miracle. Something simple, made of paper. Something I could hold in my hands.” She never meant to send it. It was a soul’s cry, hurled into the digital void—a small ritual for self-soothing. She deleted it before sending; her friend would have thought she was having a crisis or that she’d drunk too much. Within a minute, she was back in the lounge with Mark, who was finishing up his call. “Are you alright?” her fiancé asked, throwing her a quick glance. “You look tired.” “Yeah, I’m fine,” Natalie smiled. “Just getting some air. I just want… you know, something fresh.” “In December?” Mark chuckled. “Try the seaside in May—if this quarter ends well, we might get away then.” He turned back to his tablet. Natalie grabbed her phone from the coffee table. There was just one new alert: a client had confirmed a meeting. No miracles. With a sigh, she went to get ready for bed, mentally mapping tomorrow’s to-do list. *** Three days later, sifting through the post, her finger snared the corner of an unfamiliar envelope. It fluttered to the hardwood floor: thick, rough, the colour of old parchment. No stamps, just an ink stamp of a pine branch and an address. Inside was a New Year’s card—not some glossy print job, but warm, textured card stock, embossed, with gold flecks that fell onto her fingers. “May your boldest dreams come true this year…” read the handwriting, which made something skip under Natalie’s ribs. The handwriting was familiar. It was Sasha’s. The same boy from that little seaside village where she’d spent every summer with her nan. Her childhood sweetheart: the boy who’d built dens with her by the river, set off fireworks in August, and exchanged letters between terms. Then Nan had sold the cottage, she and Sasha went off to different universities, and they lost touch. The address on the envelope was hers—her current one. But the card was dated 1999. How was that possible? A postal glitch? Or had the universe heard her silent cry for a simple miracle, something you could actually hold? Natalie cancelled two calls and a meeting, told Mark she was checking a venue (he just nodded, nose buried in his tablet), and got in her Mini. Three hours’ drive to the seaside village. She had to find the sender. Google told her the place had a little print shop. *** Snowflake Printworks turned out nothing like she’d pictured—not a kitschy gift shop, but a quiet haven. The door opened with a low groan and let her into a large room where the air was thick, sweet—almost fruity. The scent of wood, metal, something spicy-bitter—old paint, maybe varnish. And unmistakably: fire from a wood stove. Its heat lapped at Natalie’s cold cheeks. The owner stood with his back to her, bent over a chunky antique press. The clink of tools was the only sound. He didn’t turn at the jingle of the door. Natalie coughed. He straightened, slowly, like unsticking each vertebra, and turned around. Stocky, check shirt sleeves rolled, regular-looking but very calm eyes. Not curious or eager—just watching, waiting. “Is this your card?” Natalie placed it on the counter. Alex took his time. He wiped his palms on his jeans—leaving blue streaks—picked it up and held it to the light like a coin. “One of ours,” he confirmed. “Pine stamp. ’99 batch. Where’d you get it?” “It came to my flat. In London. Probably a mix-up at the post office,” Natalie’s voice was clipped and businesslike, though she was crumbling inside. “I need to find the sender. I know this handwriting.” His gaze grew more direct. It skimmed her perfect haircut, her chic but out-of-place beige coat, her face where even perfect makeup couldn’t mask the cracks. “Why do you need the sender?” Alex asked. “Twenty-five years’ a long time. People are born, die, forget.” “I’m not dead,” she heard herself say with unexpected steel. “And I haven’t forgotten.” He watched her, long and thoughtful, as if reading not her words but the shadows behind them. Then he gestured to the kettle in the corner. “You’re freezing. Tea’ll sort you out. Even a Londoner’s brain.” He poured into chipped mugs while she sat in the thawing quiet. And so it began. *** Three days in the village felt like a homecoming for Natalie. From the city’s roar to the stillness of snow sliding off a roof. From screen glare to the warm glow of the stove. Alex asked no probing questions; he just invited her into his world—one with creaking floorboards and the scent of wood fire, jam, and old books. He showed her his father’s printing blocks—copper plates with reindeer and snowflakes—explained how to mix glitter so it sticks, how to emboss so it lasts. He was like his home: sturdy, a little worn, filled with quiet treasures. He shared how his dad, smitten at first sight with his mum, once sent her a postcard to an old address that got lost on the way. “Love into the void,” he mused by the fire. “Romantic—and hopeless.” “Do you believe in hopeless things?” asked Natalie. “He found her. They spent decades together. Where there’s love, anything’s possible. Otherwise—I only believe in what I can hold. This press. This house. My work. Everything else is smoke.” There was no bitterness in his voice—just a craftsman’s acceptance of his material. Natalie had always battled her material, bent it to her will. Here, the fight was useless; snow fell when it would, and Graf, Alex’s dog, slept wherever he liked. A strange kinship grew: two lonely souls, each finding in the other what they’d lacked—she, calm and authenticity; he, boldness and spark. Alex saw through the city gloss to the girl still afraid of the dark, longing for a little wonder. Natalie saw not a has-been, but a custodian: of time, skill, and peace. Her background anxiety ebbed away. When Mark rang, Natalie was at the window watching Alex split logs with practised rhythm. “Where are you?” Mark’s voice was cold, flat. “Pick up a tree, will you? Our fake one’s collapsed. Bit ironic, isn’t it?” Natalie looked at the real spruce in the corner, decked in old glass baubles. “Yeah,” she replied quietly. “Very.” And she hung up. *** The truth came on the third day, New Year’s Eve. Alex handed her an old yellowed sketch from his father’s album—the original card’s wording. “I found this,” he said, voice oddly dull. “It wasn’t your Sasha. It was Dad. Wrote it to Mum. Never reached her. Funny how history repeats.” The magic had vanished like spilled glitter—no mystical connection, only fate’s irony. Natalie’s escape into the past was nothing but a beautiful delusion. “I should go,” she whispered, eyes averted. “I have… everything. Wedding. Deals.” Alex nodded. He didn’t try to hold her. Just stood in his world of paper and memory—a man who could keep warmth in an envelope but powerless against the cold from beyond. “I get it. I’m not a magician. Just a printer. I make things you can touch, not castles in the air. Sometimes the past doesn’t send us ghosts, just a mirror. To show who we could have been.” He turned back to the press, giving her the space to leave. Natalie took her bag, keys, phone—the only link to the reality waiting for her: business, KPIs, a muted safe marriage to a man who valued only money. She reached for the door but her eyes caught the card on the counter—and a new one, just printed, with the same pine stamp but new words: “May you have the courage.” Then she understood: the miracle wasn’t in a card from the past. The miracle was this moment, this choice. She couldn’t choose his world and he couldn’t enter hers—but she wasn’t going back to Mark, either. Natalie stepped into the cold, star-filled night—without looking back. *** A year passed. Another December came. Natalie never returned to the events industry, ended things with Mark, and started a boutique agency specializing in soulful, intimate events with real, paper invitations—from a little workshop in the village by the sea. Life didn’t slow down, but it made sense. She learned to value silence. Snowflake Printworks now hosts creative weekends. Alex takes online orders—filters them himself, though. His cards are a little better known now, make a solid living, but the process is the same as ever. They don’t write every day—only for business. But the other day, Natalie got a card in the post. This one had a flying bird stamp. It just said: “Thank you for your courage.”