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A Borrowed Dress Back then, on our street—exactly three doors down from the doctor’s surgery—lived Margaret White. Her surname was plain, her manner quieter still—almost invisible, like a birch tree’s shadow at midday. Margaret worked at the village library. There were months with no pay; and if wages did come, forgive me, it was old Wellington boots, vodka, or musty rice riddled with bugs. Margaret had no husband. He left for “up North” chasing good money when their daughter was still mewling in swaddling, and vanished. Maybe a new family, maybe lost in the forests—no one knew. Margaret raised her daughter Lucy alone. She worked until her hands ached, sitting up at the sewing machine late into the night—a real craftswoman, just so Lucy’s tights were hole-free, her hair ribbons as bright as anyone else’s. But oh, Lucy was a firecracker. Beautiful—unbearably so. Cornflower-blue eyes, golden braid, graceful figure. And proud—painfully proud. She felt their poverty keenly. It hurt her; youth wants to bloom, to dance at the disco, not go out in patched-up boots for the third year running. Then spring came. Final year of school—when every girl’s heart flutters and dreams take flight. One May, with the hawthorn just starting to blossom, Margaret came by to have her blood pressure checked. She sat on my couch, shoulders poking through her washed-out blouse. “Susan,” she whispered, nervously twisting her fingers. “I’m in trouble. Lucy won’t go to prom. She’s throwing fits.” “Why?” I asked, tightening the cuff around her thin arm. “She says she’s not going to be humiliated. Len White’s daughter—the chairman’s girl—got a flashy dress sent in from London, all imports and frills. And me…” Margaret sighed so deeply my own heart tightened. “Susan, I haven’t even got money for cotton. We ate through the winter stores.” “What are you going to do?” I asked. “I’ve got a plan.” Her eyes began to shine, hopeful. “Remember that old box of my mum’s? Those heavy satin curtains? Lovely colour… I’ll trim off the tired lace, stitch on some beads. It’ll be a picture, not a dress!” I just shook my head. I knew Lucy’s temperament. She didn’t want a “picture”—she wanted expensive, a foreign label blinking out for all to see. But I kept quiet. A mother’s hope is blind, but holy. All May, I saw the lights in their window until deep into the night. Margaret’s old sewing machine hammered away: tack-tack-tack… She was weaving magic, sleeping three hours a night, red-eyed and pricked to pieces, but she was happy. Disaster struck about three weeks before prom. I went round with some ointment for her back—she complained it burned from stooping. I stepped into their front room—oh heavens! Spread out on the table wasn’t a dress, but a dream. The fabric shimmered with a silvery-rose glow, noble as sunset clouds before a storm. Every stitch, every bead sewn with such tenderness, the thing seemed to shine from inside. “Well?” asked Margaret, her smile shy as a child’s, fingers shaking and covered in plasters. “Majestic,” I said honestly. “Margaret, you have golden hands. Has Lucy seen it?” “Not yet—she’s at school. I want it to be a surprise.” Just then, the door banged open. Lucy stormed in, flushed and fuming, tossing her schoolbag aside. “Len’s at it again—showing off! Got patent heels, proper pumps! And me—what am I supposed to wear? Old knackered trainers with holes?!” Margaret stepped over, carefully lifting the dress from the table. “Look, darling… it’s ready.” Lucy froze. Her eyes flicked across the dress. I thought she’d be thrilled. She wasn’t. She flared up. “What’s this?” Her voice went cold. “That… that’s gran’s old curtains! I recognise them! They stank of mothballs for a hundred years! Are you actually mocking me?” “Lucy, it’s proper satin, it fits so well…” Margaret faltered, voice trembling, stepping towards her daughter. “Curtains!” Lucy screamed so loud the windows rattled. “You want me to walk on stage in a drape? Have the whole school point and laugh—‘Lucy White, poorer than dirt, wrapped up in curtains!’ I won’t wear it! Never! I’d rather wear nothing, rather drown myself than this disgrace!” She snatched the dress out of her mother’s hands, threw it down, stomped on it—crushing the beadwork, crushing all Margaret’s hard work. “I hate you! I hate being poor! I hate you! All the other mothers get things done—spin gold— and you… you’re nothing, not even a mother!” A heavy silence settled, thick and fearful… Margaret turned paler than the plaster on the stove. She didn’t yell or weep, just quietly stooped down, picked the dress off the floor, dusted off an imaginary speck, and held it to her chest. “Susan,” she whispered, not looking at her daughter. “Would you leave us, please? We need to talk.” I left, heart pounding, wanting to shake that foolish girl… By morning, Margaret was gone. Lucy ran to the surgery in the afternoon, panic written all over her. “Auntie Sue… Susan… Mum’s gone.” “What do you mean, gone? Maybe at work?” “Not at the library—locked up. She didn’t sleep at home. And…” Lucy’s lips quivered. Choking up. “And her icon—it’s gone.” “What icon?” I gasped, dropping my pen. “St. Nicholas the Miracle Worker. The old one with the silver cover. Gran said it saved us from the war. Mum always said, ‘That’s our last loaf, Lucy. For the darkest day.’” Chilled, I understood what Margaret had done. Back then, antique dealers paid serious money for old icons—but you could get robbed or worse. Dear, trusting Margaret must have gone to town to sell it, desperate to buy her daughter a “proper” dress for the prom. “Chasing the wind in a field…” I whispered. “Oh, Lucy, what have you done…” We lived in hell for three days. Lucy stayed at mine—scared to sleep in her empty house. She barely ate, clinging to water, peering down the road, jumping at any passing car—it was always a stranger. “It’s my fault,” she sobbed at night, curled on my couch. “I killed her with my words. If she comes back—I’ll grovel, so help me. Let her come back, please.” On the fourth day, near evening, the surgery phone rang—loud, urgent. I grabbed the receiver: “Hello—surgery?” “Susan Turner?” A man’s voice, tired, official. “Calling from County Hospital. ICU.” My legs buckled, I sank onto the chair. “What?” “A woman admitted three days ago, no ID, found at the station, heart failure. She came round a bit, named your village and you specifically—Margaret White. Is that right?” “She’s alive?!” I yelled. “For now. But critical. You’d better come right away.” Getting to town was a saga—no buses. I ran to the chairman, begged for a car. We got an old Land Rover and Pete the driver. Lucy was silent all the way, clutching the door handle so tight her knuckles whitened, staring ahead, lips moving—praying, really praying for the first time. The hospital stank of despair—bleach, drugs, and that special hush where life and death do battle. The young doctor came out, red-eyed and haggard. “You’re here for Mrs. White? I’ll allow you in, but just for a minute. No tears—I mean it! She mustn’t get agitated.” We entered. The machines beeped, IVs snaked everywhere. There lay Margaret… Goodness, they lay the dead out prettier. Grey-faced, black under her eyes, impossibly small under the hospital blanket—like a little girl. Lucy saw her and couldn’t breathe. Dropped to her knees, buried her face in the sheets, shoulders shaking, silent—too scared to sob. Margaret opened her eyes a little, dazed, barely recognising us. Then her bruised hand moved, settling on Lucy’s head. “Lucy…” she whispered, dry as autumn leaves. “Found you…” “Mum,” Lucy choked out, tear-soaked, kissing her cold hand. “Mum, I’m sorry…” “Money…” Margaret traced the blanket weakly. “I sold it, love… It’s in my bag… take it. Buy your dress… with gold thread… just like you wanted…” Lucy looked up into her mother’s face, tears streaming down. “I don’t want a dress, Mum! Do you hear me? Nothing! Why did you do this to yourself? Why?” “So you’d be beautiful…” Margaret smiled, weak as candlelight. “So you wouldn’t be looked down on…” I stood at the door, throat clenched, unable to breathe. Watching, I thought: This is mother’s love. It doesn’t debate, doesn’t weigh up—it just gives everything, every drop of blood, every heartbeat. Even when the child’s foolish, even when hurt. The doctor chased us out after five minutes. “That’s enough—she’s out of strength. The crisis has passed, but her heart’s very weak. She’ll need a long stay.” The long days began. Nearly a month, Margaret was in hospital. Lucy went daily—school in the morning, exams, hitching lifts to the county hospital in the afternoon, bringing homemade soup and grated apples. Gone was her pride—the girl was transformed. Self-important airs disappeared. At home, everything tidy, garden weeded. She came by in the evenings to report to me, eyes suddenly wise and grown-up. “You know, Susan,” she confessed one evening, “after shouting at her, I sneaked back and tried on that dress. Secretly. It’s so soft—it smells of her hands. I was a fool. Thought if my dress was fancy, people would respect me. But now I get it—without my mum, I wouldn’t want any dress in the world.” Margaret recovered slowly, painfully—doctors called it a miracle. I reckon Lucy’s love yanked her from the grave. She was discharged just in time for prom. Still weak, barely able to walk, but desperate to come home. Prom night arrived. The whole village gathered at the school. Music blasted from the speakers—Duran Duran, the volume up. Girls stood about in anything and everything. Len White’s daughter sparkled in her crinoline, like a tiered wedding cake, turning up her nose at the boys. Then the crowd parted. Silence fell. Lucy walked in. By her side, arm in arm, was Margaret. Margaret was pale, limping, leaning hard, but smiling. And Lucy—dear God, I’d never seen such beauty. She wore *that* dress. The curtain dress. In the sunset, the “rose ash” colour glowed with an otherworldly light. The satin flowed over her perfect figure, accentuating everything right, hiding what it must. On her shoulders, beads shimmered, lace sparkling. But the magic wasn’t the dress. It was the way Lucy walked. She walked like a queen—head held high—but her eyes were gentle and deep. She led her mother like the most precious vase, telling the world, “Look, this is my mum. And I am proud of her.” Our local comedian, Colin, tried to snark: “Oy, looks like someone’s wearing the curtains!” Lucy turned calmly, looked him straight in the eye—no anger, just a touch of pity. “Yes,” she declared loudly, so all could hear, “My mum made this. And it means more to me than any gold. You’re a fool, Colin, if you can’t see real beauty.” Colin went crimson and shut up. Len White’s daughter in her pricey dress suddenly faded, like a candle next to the sun. Because it’s never the clothes that make the person, is it? Lucy didn’t dance much that night—mostly she sat beside her mum, covering her shoulders with a shawl, bringing her water, holding her hand. So much tenderness it brought tears to my eyes. Margaret’s face glowed as she watched her daughter. She knew it—every bit of pain, every sacrifice, had been worth it. That miracle icon had worked its true magic—not with money, but saving a soul. Many years have passed. Lucy moved to London, trained as a cardiologist—now saving lives herself. She brought Margaret with her, cherishing her dearly. They live together, heart to heart. That icon? Lucy found it eventually. Searched the antique shops for years, paid a fortune, bought it back. It hangs now in their flat, pride of place, the lamp always burning before it. Sometimes I look at today’s young people and think: How cruelly we treat those closest, just for the sake of others’ opinions—stomping, demanding. And yet life is so short, just a summer night. We only have one mum. While she’s alive, we’re still children, sheltered from the cold winds forever. When she’s gone—we’re out in the storm on our own. Treasure your mothers. Call them tonight if you can. And if not—just remember them with a loving word. They’ll hear you, up in heaven. If you liked this story, stop by again and subscribe. We’ll remember, weep, and celebrate the little things together. Every subscription is like a mug of hot tea on a long winter evening. I’ll be waiting for you.

A Borrowed Dress Back then, down our street, just three doors past the surgery, lived Margaret.

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