Don’t You Dare Sing

Dont sing.
Youre smiling all wrong.

Evelyn didnt realise at first he was speaking to her. She sat looking down at her hands, neatly laid across her lap on the deep indigo dress shed never have chosen herself. Too tight in the shoulders. Too shiny. Too much of someone else.

Evelyn. I said youre smiling all wrong. Its too stiff. People can tell.

Geoffrey spoke quietly, not turning his head. He was watching the function room fill as guests arrived for his firms anniversary. Twenty years in business. A big night. An important evening. Her role had been spelled out ahead of time, just like a clause in a contract: sit beside him, look respectable, dont say anything unnecessary, no more than one glass of wine, dont speak to anyone from his line of work unless he gives you permission.

Sorry, she said.

Dont say sorry. Just fix it.

The restaurant was the sort of place where you could feel the money not aggressive, just present. In the weight of the tablecloths, the soft glow of the chandeliers, the way the waiters moved with a quiet, gliding step. Evelyn had been there several times before, but it never felt any less foreign. Not as a successful businessmans wife, more as a person. As a woman with a name and a history, and something that once lived inside her.

She was fifty-five. Twenty-eight of those years married to Geoffrey Barnes. Theyd met when she was finishing at the Royal College of Music. She was lively, bursting with song, in love with Vaughan Williams and Elgar. He was an ambitious young man with eyes alive with dreams, sure he could buy or reshape the world to his will. He looked at her back then as if she were that whole world. But in time, he just tried to remake her too.

Geoffrey, might I go to speak to Margaret? She nodded across the room. Shes there on her own.

Margaret can wait. Theres no need for you to hover at the Harrisons table.

But weve known each other for twenty years.

Evelyn. His tone held no anger, only the tired patience of a man reciting rules to a child. Tonight is important. Just sit and smile.

So she smiled. The correct, rehearsed smile.

The room filled little by little. Partners, clients, council men, their wives. All dressed properly, all the right level of cheerful, all talking about the right sort of things for such an event. Evelyn listened to snatches of conversation and wondered when shed last spoken of anything that truly mattered to her. Music. How a fugue worked. Why the second movement of Elgars Cello Concerto still wrenched her heart, even on the radio.

They hardly ever had the radio on at home. Geoffrey couldnt bear classical music said it got on his nerves.

At the next table, a woman in a striking red dress laughed heartily at someones joke. The laugh was genuine husky and warm. Evelyn caught herself staring, a flicker of envy underneath. Not for the dress, not for youth or beauty, but for how the woman laughed as if it was her birthright, needing no ones permission.

Dinner followed its inevitable course. Toasts, applause, speeches about two decades of triumph and a bright future. Geoffrey gave his speech crisply, as ever. The crowd applauded. He could hold a room, that was true. Evelyn clapped along, thinking that once, she too had known how. To command a crowd, to stand before people and sing in a way that silenced their breath.

The last time she sang in public was twenty-four years ago, at a recital at the College. Geoffrey had driven her there, but collected her early after a phone call for work.

The compère announced a talent contest after the dessert the evenings entertainment: anyone could try their hand on the little stage in the corner. A joke, a trick, a song. Geoffrey wrinkled his nose.

Such vulgarity, he muttered.

Evelyn said nothing. She watched the stage. The pianist was a young man with kind eyes, already familiar from earlier in the evening. Hed played background music, fingers long and elegant, nodding gently to the rhythm even in the quietest passages.

Two people had a go. One told a joke, another played the harmonica. The room applauded kindly, without much excitement. Then the compère invited the next, and the room fell quieter.

Something inside Evelyn shifted then. Not like a blow, more like a door too long closed easing open at last. She placed her napkin gently on the table. She stood.

Where are you going? Geoffrey asked.

Restroom.

She did not go to the restroom. Instead, she approached the compère and whispered something. He raised his eyebrows, then nodded. Next, she spoke quietly to the pianist; within a minute theyd worked something out. He nodded, and in his look: genuine curiosity.

When the compère announced her name, Geoffrey didnt seem to catch on at first. He did as she reached the stage. Evelyn didnt look at him, didnt dare. She looked at the microphone instead.

It was three steps up to the stage. She took them, pausing in front of the room. Full of unfamiliar faces, expensive jackets, sparkling gowns. Some still murmured at their tables. A few regarded her with polite expectation: what now?

Evelyn nodded to the pianist.

He began. The room fell still almost at once this wasnt a party tune or a bit of light entertainment. It was Vaughan Williams the Vocalise. Wordless, only voice and music, and one of the most challenging and beautiful pieces in her old repertoire, which she sang at her college final.

She began. To her surprise, her voice was there. After so many silent years, it hadnt withered or vanished. Older, perhaps, a little darker, but present. Alive.

By the third phrase, the chatter had vanished; even the clinking of glasses stopped. Evelyn hardly noticed. She sang, thinking only of the breath, keeping the line, not thinking of Geoffreys face or what he would say later.

Afterwards didnt matter. Only this moment mattered.

When she finished, there was silence for a heartbeat. Then the audience rose not all at once, but soon enough. The applause was real, not forced. The woman in the red dress shouted Bravo! The pianist looked up at her with the reverence reserved for rare things.

Evelyn stepped down, her legs almost unsteady. Her heart beat wildly but true. As she returned to her seat, she saw Geoffreys face already, set like concrete.

He didnt applaud.

Sit down, he said.

She sat.

Do you have the slightest notion what youve just done?

I sang.

Dont be clever. His voice was low and steely. You paraded yourself at my event, without my approval. Do you understand how that looks?

How does it look?

As though my wife craves attention. As though she needs more than shes given. He reached for his glass, set it down, controlled. Well leave. In ten minutes.

Geoffrey, the

In ten minutes, Evelyn.

Three people reached her before they could go. The woman in the red dress her name was Catherine shook her hand warmly, saying, Youre incredible, where are you from? An elderly man with a scholarly beard hovered, saying only, Magnificent. Who trained you? Margaret, her old friend, rushed over, hugging her, smelling of perfume and something comfortingly homely; Evelyn almost broke down there and then.

Evelyn! Where have you been hiding? My goodness, you sang like

Margaret, time to go, Geoffrey cut in, taking Evelyn by the arm. Gently looking, but his grip pinched through the dress. Sorry, Evelyn has a migraine. We must be off.

In the car he said nothing. The silent drive was worse than any lecturing. Evelyn looked from the window at the citys night, streetlights, the glow of shopfronts, feeling a peculiar calm within herself. Not joy, not fear, but something else: as if she had finally remembered her own name.

At home, he removed his jacket, hung it precisely, turned to her.

This is how it is, he said. I understand youre bored. I see you want something for yourself. But you need to realise there are boundaries. Theres what is appropriate and what is not. Tonight, you embarrassed me with people I rely on for my work.

I sang. They applauded.

You made a spectacle of yourself at a company event. Do you see the difference?

No, said Evelyn, surprised at her own evenness. Do tell me.

He watched her for a long, hard moment. Then spoke:

You have everything you want. A home, security, status. I dont know what else youre lacking. Honestly, I dont care anymore.

Well, Ill tell you whats missing. Me.

What does that mean?

You know very well.

She left for the bedroom, closed the door. Lay atop the covers, staring at the ceiling white and smooth, just like their outward life. Heard him moving in the flat, doors, cupboards. The usual. Then: quiet.

She didnt sleep. She thought. Remembered, fifteen years ago, agreeing to leave her job teaching music in a school. Geoffrey said it didnt befit his wife, the pay was laughable, no need for her to work. She agreed. Thought shed find something different, something else. But every time she tried, Geoffrey found firm reasons why it, too, was unnecessary or unsuitable or simply not on.

He never struck her. Never shouted. He simply, sensibly laid out what was right and what was wrong. After nearly thirty years of this, shed lost any sense of her own voice literally. Even in her own thoughts.

Until last night.

In the morning, while he was in the shower, she fetched her old holdall from the attic. Into it, she packed her documents. Passport, her college diploma found in an old chest, a few photos. Her phone. The small stash of cash shed been tucking away here and there for the last three years, not sure what for. Now, she knew.

She dressed simply jeans, a jumper, a coat. When Geoffrey emerged, she stood at the door with the bag on her shoulder.

Where are you going?

Im leaving.

A long pause.

Dont be ridiculous.

Im not. Im leaving.

Evelyn. He dried his hands, that look reserved for someone tired of drama. Youre upset. Sit down, calm yourself. Well discuss it this evening.

We already have.

You have no money. No job. Where will you go?

Ill find somewhere.

Youre being absurd. Youre fifty-five. Where will you

She opened the door and stepped out. Heard his voice but not the words. The lift took an age, and she watched herself in its dull metal. Crumpled, a bit fuzzy. She nearly smiled at her own reflection.

She walked. Just went through the city, breathing. Autumn was crisp and cool, tinged with leaves and coffee wafting from some café. She went in, bought herself a coffee, sat by the window, and got out her phone. She called the one person she could.

Margaret, I need help.

Oh my goodness. Whats happened?

Ive left Geoffrey.

A pause. Then:

Where are you?

Margaret lived alone in a small flat out at the edge of town. Her children grown, her husband gone some years ago. She opened the door, saw Evelyn standing there with one bag, and asked nothing. Just went aside.

Come in. Kettles on.

They sat together in the kitchen well into the evening. Evelyn talked while Margaret listened, saying little, just occasionally topping up their cups. When Evelyn ran out of words, Margaret said:

You did it. Thats what matters. The rest will sort itself.

Hell block my accounts. He probably already has.

He has?

Yes. He warned me last year after some argument: if I ever left, Id see what he was capable of.

Well, lets see about him, Margaret muttered, lips pursed.

Geoffrey wasted no time. By evening, both her phone and Margarets were ringing: first Geoffrey himself, then his secretary, then Evelyns mother, whom Geoffrey had clearly briefed. Her mother sobbed down the phone, repeated that Geoffrey had called to say Evelyn had had a breakdown after the company party, left the house in a state, required help.

Mum, Im not having a breakdown.

Hes so worried, darling. He said you were acting out of character last night, that you need

Mum, I sang. I got on stage and sang. Thats all.

He says it was most inappropriate, that you embarrassed him

Mum. Im fine. Im at Margarets. Ill call tomorrow.

The accounts were, indeed, blocked. She tried the cashpoint; the card failed. The envelope-fund diminished quickly. Margaret refused any payment for the lodgings, but Evelyn couldnt let that go on.

In three days time, Geoffrey sent her things, via two strange men. Evelyn unpacked the bags in Margarets hallway; random belongings gathered without thought: summer dresses, high-heeled shoes, trinkets. Not one warm item. Not a single well-loved book. That, too, was a message.

A day later, her mother rang to say Geoffrey had visited. Hed drunk tea, described Evelyns always nervous temperament. He claimed to have done everything for her, insisted he was only worried for her, but that perhaps she needed a specialist now. Her mother listened. Shed always listened best to whoever spoke calmly and persuasively.

Evelyn, maybe you could go back, talk properly?

Mum, hes blocked my money and gone around telling everyone Ive lost my mind. You do realise what that means?

Her mother was quiet.

Hes a man, darling. Men are like that when they feel hurt.

Evelyn hung up and stared long out the window, then took out her diploma and laid it on the table. Deep blue cover, gold letters. Evelyn Mary Barnes. Royal College of Music, Academic Voice. Shed not held it for years.

The next morning, she rang the College. Asked after Arthur Bell, her old tutor. She assumed hed be long since retired. But no he was still teaching, in his seventies now. They gave her his number.

Arthur? Its Evelyn Barnes. Do you remember me?

A lengthy pause.

Barnes? From Fourth Year?

Yes.

Of course I remember. Whereve you been all these years?

I disappeared. Youre right. But Arthur, I need your help.

They met at the College, a small third-floor practice room. Bell was little changed slight, sharp-eyed, hands folded on his knee. He regarded her shrewdly.

Got older, he said.

So have you, she replied.

Thats how it goes. He smiled, just a touch. Sing.

Now?

Why not?

So she sang. At first hesitant, breath uncertain, the top notes wobbly. Bell just listened. When she finished, he waited a moment.

Youve still got the voice, he said. Techniques rusty. Breathings poor. But you have what counts, Evelyn. The rest that can be rebuilt.

How long?

That depends on you. Work hard, two or three months and theres something real to talk about. He paused. Why did you give it up?

I married.

And your husband forbade it?

Not exactly just thats how it happened. Gradually.

Bell gave her a long look.

Gradually, he echoed. Very well. Well work.

And so they did. Every day. Evelyn came at nine each morning, leaving at two, sometimes later. The voice came back slowly and unevenly: sometimes smooth, another day it felt as if she started from scratch. Bell was stern, never offering excuses for age or lost years. A voice has no age, hed say. Technique and will thats all. Everything else is an excuse.

Margaret found her work: leading a singing group for the elderly at the local community centre. The pay was meagre, but it was her own money. The classes were three times a week, and she found them uplifting. The women sang purely for the joy of it, not for ambition or career, just for themselves. Watching them was, in its way, medicine.

Geoffrey did not let up. Through mutual acquaintances, she heard the rumours he spread: she had been involved with a teacher, she was mentally unstable, hed borne her antics for years and finally let her go. The tale shifted with the listener, but always put him as victim, her as mad. Some believed him. Others didnt argue. Her mother called only occasionally, choosing her words carefully, hesitant.

Have you thought about your future? What about a flat?

I am, Mum.

He says hell talk things through, if youll go back.

Im not going back.

But theres the divorce, property, arrangements

Mum, hes blocked my account and told everyone Im mad. You dont negotiate with a man like that. You walk away.

Her mother would sigh and change the subject. Evelyn couldnt blame her. Her mothers generation accepted marriage and patience differently. Blaming her would be resenting someone for not speaking a language theyd never learnt.

A month in, Bell told her something important. As she packed up her sheet music:

In two months, theres a large charity concert in town. Classical programme. Theyre seeking soloists. I could recommend you.

She paused.

Arthur, I havent performed in nearly a quarter of a century.

Im aware.

And the audience?

Regional television will air it. Fundraising for the childrens hospital. The audience will be serious.

She hesitated.

Ill think about it.

Think quickly. They wont wait.

She agreed after two days. He nodded, as if hed expected nothing else.

The next six weeks were the hardest shed known since her student days. Working on the programme: opera arias, a few English art songs, and for the finale, on Bells insistence, another Vaughan Williams piece, longer and even more complex. Evelyn was so exhausted that she sometimes dozed off before supper on Margarets sofa. This was a different exhaustion from those weary married years that was greyness, this was vivid.

Margaret watched over her like a mother hen, nagging her to eat, to rest they grew closer in those months than in all their twenty years of acquaintance. Living with someone minus the theatre of appearances breeds its own intimacy.

Three weeks before concert day, trouble started. First the concert organiser rang, a young, fretful man: We have some concerns, he said, vague and awkward. Evelyn asked bluntly:

Did Geoffrey Barnes get in touch?

A pause.

I cant comment.

I see.

She rang Bell. He listened, then replied, Come tomorrow. Ill deal with them.

He did. How, she didnt ask, but she kept her soloist spot. Yet the games werent finished. The week before the concert, Margaret rang her during rehearsal, alarmed:

Evelyn, two men came by. Said they were from Geoffrey. Asked if you lived here.

What did you say?

That I didnt know any Evelyn. But they might linger outside. Be careful.

Evelyn felt a chill, a recognition: he wouldnt give up. Geoffrey was used to owning things, to controlling the order. Her leaving wasnt personal pain, more like an affront to his world.

She told Bell. He took off his glasses, polished them.

So hell try to disrupt the concert.

Most likely.

Are you afraid?

Evelyn thought honestly.

No. Im tired of being afraid.

Good, Bell said softly. Tonight, Victor Savage will be at the performance.

Whos that?

A producer. Very influential. He heard about you after the restaurant. Someone from his team was there. He wants to listen. So sing well, Barnes.

She stared at him.

You set this up?

Ive taught forty years. I had three students with talent like yours. One made her name abroad. One died young. The third married and vanished. I always wondered about that third. Glad you resurfaced.

Concert day was grey and damp. Evelyn arrived at the concert hall early, walked the empty stage, listened to the silence. The hall sat nearly eight hundred. She loved those pre-show moments: the hush as the hall waited.

An hour ahead, the organiser came, nervous: Ms Barnes, there are two men outside, say theyre sent by your husband. They want to see you.

Hes not my husband. Not anymore.

They say they have medical consent to have you admitted.

She was silent a moment.

They can say anything. Im performing. Let them in, if they like let them listen.

The man hesitated. Evelyn fixed him with a look.

This is my performance. No one has the right to stop me. Understood?

I understand, but

Call Mr Bell.

Bell handled them too. Evelyn never knew how, but the men didnt come in. Near curtain-up she glimpsed a tall stranger in the foyer, Bell by his side, speaking earnestly; the stranger nodded that must have been Victor Savage.

Evelyn took the stage third on the programme. The room was full, cameras in place. She wore a simple dark dress chosen herself, no frills. She stood at the microphone, surveying the faces.

And sang.

The first song flowed sweetly, almost lighthearted. The second demanded all her strength; she almost lost the line, but caught it. By the third, thoughts of cameras, troublemakers, Geoffrey all faded. There was only the music. Here, on this stage, was her place. This was who she was.

When she reached the Vaughan Williams finale, a hush fell around the hall. That special hush: people not simply hearing but listening. Evelyn sang and felt as if she was someone who, after long illness, steps outside to find the sky unchanged, blue as ever, waiting all along.

She was finishing her last phrase when she saw Geoffrey in the side aisle, coming fast, talking to security, gesticulating angrily, another man behind him.

Evelyn finished her phrase. Finished the note. Dropped nothing.

The hall stood in ovation.

Geoffrey halted halfway down the aisle. Next to him was Savage, tall in a smart overcoat, speaking calmly, barely moving. Evelyn saw Geoffrey flounder, face changing. Something broke within him not dramatically, but quietly and finally. He was simply no one here.

He turned and left.

Backstage, Victor Savage sought her out. Shook hands. Said, simply:

I heard about you before. Now Ive heard you at last. We should talk.

About?

A contract. Tours. Here, to start, then abroad. There are several European halls after your kind of voice. He smiled slightly. No one will stand in your way. I guarantee it.

Bell observed from a corner. When she caught his eye, he gave her a single, solid nod. All that was needed.

She truly spoke with her mother only afterwards. Evelyn visited. They sat in the tiny kitchen. Her mother watched her in long, unflinching silence. Then:

I saw you on the telly. At the concert.

You did?

Margaret called and told me to tune in. So I did. Her mother hesitated, fidgeting with the tablecloth. I never knew you could sing like that.

You saw me at College.

That was so long ago. There, I was just your mum, worrying myself sick. This time, it was just you, on TV. Her mother looked up, tearful. Im so sorry, love.

For what?

For believing him more than you. He spoke so well. And you were always quiet. I thought, if you said nothing, you must be fine. I never understood.

Evelyn took her hand.

Mum, you did understand. Just not straight away. Thats alright.

Are you angry with me?

No.

Her mother cried softly, no sobs, just tears flowing. Evelyn sat there, holding her hand, thinking that forgiveness isnt pretending nothing happened; its knowing whats worth carrying onward, and leaving the rest behind.

A year passed.

Evelyn stood backstage at a hall in Vienna, listening to the audience take their seats. Foreign sounds, yet the same everywhere: whispering clothes, low voices, guarded coughs. The hall wasnt large but venerable, with stucco and tall windows. Outside, snow fell.

Her life was different, now: a rented flat in Vienna plain but her own. Savages contract, meaning she could finally sing for a living. The suitcase that trailed her between cities. Bell rang weekly to discuss music over video calls. Her mother flew over every few months, always amazed by what Evelyn managed alone.

News of Geoffrey trickled in rarely. People said his business foundered after the scandal; he lost partners. Six months on, he remarried: a quiet, younger woman, unknown to most. When Evelyn heard, she thought a moment and felt only weary understanding. Neither the satisfaction of revenge nor pain just recognition: some people never change. They simply look for their next convenient companion.

She pitied that woman. But that was no longer her concern.

Her story, now, was her own. It was full of surprises: fatigue from travelling, rows with conductors, missteps in foreign tongues, lonely evenings in strange hotels. But also, opening the window in a new city, the applause that belonged to her and no one else. The right to buy whatever dress she wanted. The right to call anyone, or not. The right to close the door, beyond which there were no explanations to make, no voice telling her what shed done wrong.

Sometimes, she thought of the years shed lost. Not in bitterness just steady, honest reckoning. Twenty-eight years. It was a lifetime. She might have sung all those years. Became someone else, or even the same person, but sooner.

But I could have is the most pointless thing in the world. She knew that.

She exists now. Her voice exists now. The stage exists now.

A stage assistant slipped through the curtains:
Miss Barnes, three minutes.

Im coming.

Evelyn straightened her simple, dark dress her own choice. Did a few breathing exercises. Closed her eyes.

Suddenly, Geoffreys face came to her mind that night in the restaurant. Telling her, Youre smiling all wrong. Her responding, Sorry. Sitting with a correct smile, long deaf to her own voice.

She smiled now. Not the correct one. Just because she wanted to.

And stepped onto the stage.

The hall hushed.

And she sang.

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Don’t You Dare Sing