The Bench in the Courtyard Victor Stevens stepped out into the courtyard just after one. His temples were throbbing—he’d finished off the last of the salads yesterday, and spent the morning packing away Christmas decorations. The house felt too quiet. He pulled on his hat, shoved his phone in his pocket, and headed downstairs, habitually gripping the rail as he went. On a January afternoon, the courtyard seemed like a set from a play: cleared walkways, untouched drifts of snow, not a soul in sight. Victor Stevens brushed off the bench by the second entrance. The snow fell away softly from the wooden slats. This was a good spot for thinking, especially when it was deserted—you could sit for five minutes and head home again. “Mind some company?” a man’s voice asked. Victor turned his head. Tall, navy jacket, about fifty-five. The face was vaguely familiar. “There’s plenty of room,” he replied, sliding over. “Which flat are you in?” “Forty-three, second floor. Just moved in three weeks ago. Michael.” “Victor Stevens,” he said, shaking the offered hand automatically. “Welcome to our quiet corner.” Michael pulled out a pack of cigarettes. “Is it alright if I smoke?” “Go right ahead.” Victor hadn’t smoked in ten years, but the whiff of tobacco oddly reminded him of the newspaper office where he’d spent most of his life. He caught himself wanting to inhale the scent, then pushed the urge aside. “How long have you lived here?” Michael asked. “Since ‘87. The whole estate had just gone up back then.” “I used to work nearby at the Metalworkers’ Community Centre. As a sound engineer.” Victor started. “For Valery Zakharov?” “That’s the one! How do you…” “I wrote a feature on him. Back in ‘89, when we put on that anniversary concert. Remember, when ‘August’ played?” “I could go through that concert start to finish!” Michael grinned. “We dragged in this giant speaker, the power supply was sparking…” The conversation flowed on its own. Names and stories resurfaced—some funny, some bittersweet. Victor found himself thinking he really ought to head back, but there was always another twist: musicians, equipment, backstage secrets. He’d long since fallen out of the habit of long talks. In recent years at the paper he’d only written urgent stories, and after retirement he’d withdrawn completely. He’d convinced himself it was easier not to depend on or get close to anyone. But now, something inside him felt as if it was thawing. “You know,” Michael stubbed out his third cigarette, “I’ve got all the archives at home. Posters, photos. Concert tapes I recorded myself. If you fancy having a look…” Why would I do that, Victor wondered. Then he’d have to socialise, his usual routine would get upended. And what would he really see that’s new? “I think I would,” he replied. “When would suit?” “Tomorrow’s fine. Around five? I’ll be back from work by then.” “Let’s do it,” Victor took out his phone and opened his contacts. “I’ll give you my number. If anything changes, we’ll sort it out.” That night he couldn’t sleep, replaying the conversation and recalling details from old times. More than once, he reached for his phone—to cancel, to make an excuse. But he didn’t. The next morning, he woke to the phone ringing. On the screen: ‘Michael, neighbour.’ “Not having second thoughts, are you?” Michael’s voice sounded slightly unsure. “No,” Victor replied. “I’ll be there at five.”

The Bench in the Courtyard

Edward Thompson stepped outside just after one oclock. His temples throbbedhed finished off the last of the Christmas leftovers yesterday, and spent the morning packing away the tree and decorations. The house was far too quiet. He pulled his woolly hat down, slipped his phone in his coat pocket, and headed down the stairs, gripping the banister as usual.

The January afternoon made the courtyard feel like a stage set: walkways had been swept clear, the snow lay pristine and undisturbed, not a soul about. Edward knocked the snow off the bench by the second entrance. The powder fell softly onto the path. This was always the best spot for thinking, especially when the world was stillfive minutes of peace before heading back inside.

Mind if I join you? came a mans voice.

Edward turned his head. The chap was tall, probably in his mid-fifties, dressed in a navy parka. His face seemed vaguely familiar.

Plenty of space, Edward said, moving along the bench. Which flat are you from?

Number 43, second floor. Only moved in three weeks ago. Im Martin, by the way.

Edward Thompson, he replied automatically, shaking Martins offered hand. Welcome to our little quiet corner.

Martin pulled out a pack of cigarettes.

Do you mind?

Help yourself, Edward shrugged.

He hadnt smoked for over a decade, but the scent of tobacco unexpectedly brought back memories of the local papers office, where hed spent most of his working life. He almost caught himself taking a deep breath in, before snapping out of it.

How long have you been here? Martin asked.

Since 87. The whole block was just finished then.

I used to work nearby, at St. Georges Community Centre. Sound engineer.

Edward blinked.

You worked with Patrick Harris?

Thats right! You know him?

I wrote a piece about him. Back in 89, there was that big anniversary concert. Remember when The Augusts played?

I could tell you that night start to finish! Martin grinned. We hauled in these massive speakers, power source was sparking everywhere

The conversation flowed on its own from there. Names cropped up, old storiessome funny, some bittersweet. Edward realised he should probably head home, but every time, something new came upmusicians, tech, backstage gossip.

He wasnt used to long chats anymore. The last years at the paper had been just urgent deadlines, and hed become even more withdrawn in retirement. Hed convinced himself it was easier this wayno one to rely on, nothing to get attached to. But now he felt something loosening inside his chest.

You know, Martin stubbed out his third cigarette, Ive got a load of stuff at my place. Posters, pictures. Even tapes of those showsI recorded them myself. If you fancy a look

Why would I want that, Edward thought for a moment. That would mean popping round, chatting. What if Martin took a shine to being neighbourlya new routine would be turned upside down. And really, what could I possibly discover?

Wouldnt mind taking a look, he said. When suits you?

Anytime really. How about tomorrow? Around five? Ill be in from work by then.

All right then, Edward said, taking out his phone, opening up contacts. Best take my number. If anything changes, give me a ring.

He struggled to sleep that night. He kept running the conversation over in his mind, remembering long-forgotten details of old stories. A couple of times he reached for his phonewanting to call Martin and cancel, claim he was busy. But he didnt.

In the morning he was woken by the phone. Martinneighbour flashed on the screen.

Still up for it? The voice sounded ever so slightly hesitant.

Yes, Edward replied. Ill see you at five.

Looking back, I realised that sometimes the smallest changea chat on a cold benchcan start to thaw the frost thats settled around you. Id built walls out of habit, but a simple conversation reminded me how much warmer it is to let someone in.

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The Bench in the Courtyard Victor Stevens stepped out into the courtyard just after one. His temples were throbbing—he’d finished off the last of the salads yesterday, and spent the morning packing away Christmas decorations. The house felt too quiet. He pulled on his hat, shoved his phone in his pocket, and headed downstairs, habitually gripping the rail as he went. On a January afternoon, the courtyard seemed like a set from a play: cleared walkways, untouched drifts of snow, not a soul in sight. Victor Stevens brushed off the bench by the second entrance. The snow fell away softly from the wooden slats. This was a good spot for thinking, especially when it was deserted—you could sit for five minutes and head home again. “Mind some company?” a man’s voice asked. Victor turned his head. Tall, navy jacket, about fifty-five. The face was vaguely familiar. “There’s plenty of room,” he replied, sliding over. “Which flat are you in?” “Forty-three, second floor. Just moved in three weeks ago. Michael.” “Victor Stevens,” he said, shaking the offered hand automatically. “Welcome to our quiet corner.” Michael pulled out a pack of cigarettes. “Is it alright if I smoke?” “Go right ahead.” Victor hadn’t smoked in ten years, but the whiff of tobacco oddly reminded him of the newspaper office where he’d spent most of his life. He caught himself wanting to inhale the scent, then pushed the urge aside. “How long have you lived here?” Michael asked. “Since ‘87. The whole estate had just gone up back then.” “I used to work nearby at the Metalworkers’ Community Centre. As a sound engineer.” Victor started. “For Valery Zakharov?” “That’s the one! How do you…” “I wrote a feature on him. Back in ‘89, when we put on that anniversary concert. Remember, when ‘August’ played?” “I could go through that concert start to finish!” Michael grinned. “We dragged in this giant speaker, the power supply was sparking…” The conversation flowed on its own. Names and stories resurfaced—some funny, some bittersweet. Victor found himself thinking he really ought to head back, but there was always another twist: musicians, equipment, backstage secrets. He’d long since fallen out of the habit of long talks. In recent years at the paper he’d only written urgent stories, and after retirement he’d withdrawn completely. He’d convinced himself it was easier not to depend on or get close to anyone. But now, something inside him felt as if it was thawing. “You know,” Michael stubbed out his third cigarette, “I’ve got all the archives at home. Posters, photos. Concert tapes I recorded myself. If you fancy having a look…” Why would I do that, Victor wondered. Then he’d have to socialise, his usual routine would get upended. And what would he really see that’s new? “I think I would,” he replied. “When would suit?” “Tomorrow’s fine. Around five? I’ll be back from work by then.” “Let’s do it,” Victor took out his phone and opened his contacts. “I’ll give you my number. If anything changes, we’ll sort it out.” That night he couldn’t sleep, replaying the conversation and recalling details from old times. More than once, he reached for his phone—to cancel, to make an excuse. But he didn’t. The next morning, he woke to the phone ringing. On the screen: ‘Michael, neighbour.’ “Not having second thoughts, are you?” Michael’s voice sounded slightly unsure. “No,” Victor replied. “I’ll be there at five.”