Dont you dare touch my mums things, Tom says.
These clothes belong to my mum. Why on earth are you packing them up? Toms voice rings out, distant and cold.
We should just throw them out. Why keep them, Tom? Hannah replies, sorting through the collection. They take up half the wardrobe, and I need the space for the winter duvets and spare pillows. Everythings scattered everywhere.
Hannahs tone is practical as she pulls her late mother-in-laws cardigans, skirts, and simple dresses from the hangers. Margaret Davies always insisted on hanging her clothes neatly, instilling the same habits in her son. But Hannahs own wardrobe is a realm of chaos. Every morning, she plunges into its depths, searching for a top or blouse, always grumbling that she has nothing to wear, then painstakingly steams the creased jumble to life, only for them to look as though theyve been chewed up and spat out.
It has been just three weeks since Tom said his last goodbye to his mother. Margarets treatmentby then more of a hope than a planhad failed, and the cancer raced through her. Tom had brought her to live with them in London, and shed faded away in under a month. Now, coming in after a day at work, he finds her things tossed in the hall as if they were just rubbish. Is that really it? Is that how little she means? Chucked out and forgotten?
Why are you staring at me like Ive trashed the Queens jewels? Hannah retorts, stepping back.
Dont touch them, Tom hisses, jaw clenched. Hes so furious that his hands and feet are numb.
What are we supposed to do with all that old tat? Hannah snaps, now irate herself. Do you want to turn our home into a museum? Your mums gone, face it. Youd have done better to be there for her when she was alivevisited her more. Maybe then youd have known how ill she was!
A stinging lash, those words. Tom flinches as if struck.
Go, before I say or do something Ill regret, he replies, his voice breaking.
Hannah snorts. Right. Drama queen
For Hannah, anyone who disagrees with her is instantly unhinged.
Still in his shoes, Tom walks down the hallway to the cupboard. He pulls open the high doors, climbs on a stool, and drags out one of the massive tartan shopping bags left over from their move last year. He carefully folds every one of Margarets clothesnothing just chucked in, everything neatand places her jacket and a carrier with her shoes on top. His youngest, Oliver, nearly three, helps by popping in his toy tractor. Tom rummages in the drawer for a key and slips it into his pocket.
Daddy, where are you going? Oliver asks.
Tom gives a sad smile, hand on the door. I wont be long, mate. Go back to your mum.
Hannah appears, worried now: Where are you off to? What about dinner?
No, thanks. Ive had enough after what you said about my mum.
For heavens sake, Tom, theres no need to get in a strop. Take your coat off. Where are you going at this hour?
Without another word, Tom leaves. He starts up his old Ford, drives out of the estate and towards the M25. The road rushes by; everything elsework projects, summer plans, Twitter jokes hed usually scroll through to unwindrecedes into nothing. Only one thought moves, slow and weighty, through his mind. The only things that last: children, wife and mum. Tom blames himself for not doing more, not noticing sooner, for all the business that got in the way. She didnt want to be a burden, never complained, but he began calling less, visiting less, snipping their short chats ever shorter.
After a third of the journey, Tom pulls into a service station, grabs a sandwich, and then drives for another three hours, only glancing once at the sky, where the sunset splits the clouds with shafts of red. By the time he pulls up at the cottage at the villages far end, its pitch-black. The cottage where his childhood and teenage years passed.
He fumbles with the gates latch by phone-lightfive missed calls from Hannah. Not answering tonight. The sweet scent of fading cherry blossoms mixes with the heavy air, drawing in moths. His mothers slippers sit by the kitchen door; her blue indoor shoes, worn with age and red bunnies sewn on the toes, rest by the bedroom door. He bought those for her eight years ago. He stares at them, then shakes his head, unlocks the next door, and steps inside.
Hello, Mum. Were you waiting for me?
But no one is awaiting him in this house anymore.
The air smells of old wood and just a hint of damp. The place always needed heating or it grew musty. Her hairbrush and a worn little clutch of make-up lay on the sideboard; above, an emergency bag of pasta marked with a red sale tag. In the living room, the new sofahe and Hannah bought it for her, along with the TVstands out awkwardly. The fridge door, propped open, makes it clear no one has lived there for weeks. In her old roomonce Tomsher bed is neatly made, pillows piled high and topped with a white lacy throw. Tom sits on the edge.
Years ago, this was his room, with a second bed for his brother and a desk under the window. Now a sewing machine fills its placeMums pride. The second bed was swapped for a wardrobe full of her things. Tom sits in silence, staring at this wardrobe as if his mothers ghost stands before it. His hands tangle in his hair; he bends double over his knees, shoulders shaking, and then he collapses fully onto the quilt and sobs.
He cries for not replying to her, not finding any words when she squeezed his hand that last day. He just sat there, silent as a stone, watching her fade, choked by things unsaid. Dont, Tom, dont look at me like that I was happy with you all, she whispered. Hed wanted to thank her: for his carefree childhood, for every sacrifice, for making their house a true home, for that sense of always being safe. Just a thank you for the unshakeable ground she gave them, for the haven where youd always be welcomed back, no matter your mistakes.
But hed sat, speechless. Sometimes words just failthe ones that come seem heavy, old-fashioned, embarrassing. Modern life gives you cynicism, nothing for real feeling.
Tom switches off the lights and falls asleep on top of the covers, not wanting to mess up her made bed. He uses a woolly blanket from a chair and knocks out almost instantly, not expecting a sleep so sweet. By seven, hes upjust like always. Amazing, the way the body knows. No matter the hour he goes to bed, he always wakes at seven, as if it were a workday.
He steps out to fetch the bag from the car. Birch trees, already fully green, stand in parade behind the fencelike the young maids of spring, bathed in sunlight. Tom stands on the doorstep. The smell of the garden, the birdsonghe feels lucky to have grown up somewhere so green. After a stretch and a breath of the clean air, he drags the bag inside and tucks everything back into Mums wardrobe. Each of her things gets hung up or folded just so, shoes lined neatly below. When hes done, he steps back to see it with critical eyes, as she would. Mums smile comes to himwarm and kind, the smile that said I love you without a word. Tom strokes his hand over the blouses and dresses, then hugs them all, breathing in her familiar scent.
He stands there for ages, lost. What next? At last, he remembers the present, pulls out his mobile, and makes a call.
Morning, Mr. Patterson. I wont be in today. Family business. Will you manage without me? Cheers.
He texts his wife, too: Sorry I snapped. Ill be home tonight. Love you.
Flowers line the garden path: daffodils in bloom, tulips just opening, and lily-of-the-valley by the gooseberry bushes. Tom picks a bit of everything. He decides on three bouquetshell need them. He remembers he hasnt eaten, so nips to the village shop for milk, a roll, and a bar of chocolate.
Oh, Tom! Youre back again? greets Mrs. Fisher, the shopkeeper.
Yeah Just here for Mum, Tom answers, avoiding her eyes.
I get it, love. Fancy some fresh Wensleydale? I get it from a farmer. Your mother always bought it.
For a second Tom bristles, then sees she means well. Oh, go on then. And you, Auntie Iris, keeping well?
She sighs, Oh dont ask, love. My Gary is hopeless, always in the pub.
Tom eats his breakfast at the burial ground, by the graves. The bouquets go in turn: daffodils, lilies, tulips. His brothergone at twenty after a fall off a roof. Dad, five years later. Now Mum. He leaves chocolate for each of them and some cheese for Mum. They smile at him from the glossy gravestone photos. Tom speaks to them silently.
He remembers the tricks he and his brother played. He recalls in sharp detail early fishing trips with Dad, casting lines like cowboys. And Mum! How shed yell from the garden: T-o-m! Teaaa! You could hear her halfway across the village. How mortifying, he remembers. If only she could call for him now.
He pats the makeshift wooden cross on Mums gravethe soil still freshly heaped under the sun.
Mum, Im so sorry I didnt do enough. We all live our own lives, and yet, without you, its so empty. Theres so much I want to say to you, and to you, Dad. You were the best parents, and I cant thank you enough. How did you do it? Hannah and Iwere just selfish sometimes. Thank you for everything. And you, Jamiemy brotherthank you too.
Time to go. Tom walks the footpath, nibbling new grass. On the first street, he bumps into Gary, Mrs. Fishers son, already a mess, red-eyed and slurring.
All right, Tommy? Back again? Gary mumbles.
Yeah Just seeing my family. Still drinking?
Course. Special occasion!
Oh yeah, whats that?
Gary pulls out a battered pocket calendar and squints.
Its World Turtle Day! he announces, like its news.
Tom smirks. You take care of your mum, Gary. She wont always be around, you know. Dont forget.
He walks on, leaving Gary standing, unsure. After a moment, Gary shouts after him, Yeah, all right! See yer round, Tom.
Tom doesnt turn, only raises a hand in farewell.












